This guide will a simple guide to encompass most types of radios, but we can’t account for all the hundreds of different radio varieties. If our instructions don’t make much sense for the radio you are using, look up your exact radio model regarding spirit boxes to find more exact instructions. I heavily suggest understanding this before you start trying for yourself.Īlso remember: If you just want to try using a spirit box without getting anything I’ve covered ghost hunting software for the PC which you can use to get started without the need for physical equipment. I see a whole lot of misconceptions and misunderstandings on how to get the most from your ghost box. Important note: Please make sure you’ve read the guide on how spirit boxes work (and how to use them) before trying to use one. There are plenty of variations to the build but this is a simple way to start. With a few basic items which you can get cheaply (or find around the house) you can make your own spirit box and start trying to communicate with the dead. The spirit box (also known as a ghost box) is probably one of the first bits of kit most ghost hunters choose to start with but, if you don’t want to buy one, building one is a good choice. I’m in the process of designing a method to enable an “any-to-any” scenario, however this requires some quite complicated logic and switching, but I’m quietly confident version 4 will be born fairly soon.For the beginner ghost hunters working on a budget, this is a quick guide on how to make a spirit box from home. Some eagle-eyed may spot that currently components C3 and C4 are unpopulated, these two capacitors are simply to eliminate “key bounce” on the front panel control buttons, their value to be determined by a bit of trial and error, and can also be soldered directly across the switch instead of on the PCB. The main picture at the top of this page shows version 3 of the mic switch project with the components soldered into place. Once the design is completed it was then sent to JLCPCB to produce my prototype PCB’s which arrived within a week of ordering.Īfter building the first electronic prototype unit, I made a few component and circuit changes and completely redesigned the PCB, making it both smaller and neater. Altium Designer allows you easily place the components on the PCB and then route the tracks on both the top and bottom of the board. I used the Altium PCB design software to create my PCB design. This electronic power switch has been designed so that it can also be used to control power to external devices, currently planned for controlling the power supply to my remote auto ATU. This simply turns the unit on whenever a radio is powered up, and turns the unit off when the radios are all off. With the basic mic switch circuit designed, I then added an auto-power function using the voltage output available on all my radios. The are three outputs, one each for Yaesu, Kenwood and Icom. The current design has two inputs, input 1 being wired for use with Yaesu mics, and input 2 wired for Kenwood wired mics. This is technically incorrect as the “plug” is actually the socket, likewise the “socket” is a plug when defined by the pins and receptacles – take a look and think about it.ĭeciding this wouldn’t be the best option, coupled with the difficulty in obtaining a suitable mic switch, I embarked upon designing the electronic switching and logic circuits, version 2 of the project. Yes, I do mean plugs, allow me to explain most people refer to the connector on the radio as a mic socket and the connector on the mic cable as a plug. The easiest method of constructing a mic switch would have been to simply put a couple of plugs on a box with a multipole, 3 way switch, my idea for version 1. Then I also want to use them with my Icom 756 ProIII which feeds a voltage on the audio signal pin which requires blocking. The first hurdle is the fact that although both mics share an 8 pin connector, the wiring is slightly different. I concluded that my favourite mics were my Yaesu MD-200 and my Kenwood MC-60. My requirements were that I could use either the same standard fist mic, desk mic or studio mic with whichever radio I wanted to use at the time. ![]() Ready built mic switch units are available, but none that I looked at really suited my needs, thus the idea to design and construct a custom solution formed. Why build a mic switch unit? One of the problems with having multiple radios and one or two favourite microphones is the ability to use those mics with any of the radios.
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